NARNIA EVALUATION DECISIONS AND THEIR OUTCOMES We decided to have two people filming at one time to varied perspectives of the shot being filmed. Having done this, it helped us to change up the shots regularly to keep the audience interested. We used a wide range of camera shots to make the perspectives seem realistic. Some of the shots we used were ; the OTS shot the noddy shot the POV shot the weather shot Briefly, the over-the-shoulder shot is looking from behind a person at the subject. the noddy shot usually refers to a shot of the interviewer listening and reacting to the subject. We used the weather sot which is where the subject is the weather. it can be used for other purposes, e.g background for graphics. Finally, we used the POV shot which shows a view from the subjects perspective. We also used a wide range of camera angles to demonstrate different aspects of the films setting. Some of the camera angles we used were ; eye - level birds eye view ...
Working from a script - Directing style DIRECTING STYLE EXTERIOR SHOTS For our LION THE WITCH AND THE WARDROBE scenes, I looked at multiple directors, each with their own distinctive styles. I specifically looked at Wes Anderson, as his warm hues and centralised characters create interesting final outcomes. These images show how we have used the warmer hues and tried to centralise the characters. The lighting also created this war mer effect as the sun had been setting. These images are stills from the first part of the scene, when the two characters - Mr Tumnus and Lucy are outside, and when they first meet. The camera work was important, as we wanted to capture the bewilderment on Lucy's face as well as Mr Tumnus' shock of seeing a human. The directing style itself had been quite simple, because I didn't want to over complicate it. As I also played a large role in creating the storyboards, it allowed me to direct each scene nicely ...
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